AI motion control is motion transfer. The model watches the body movement and facial performance in a reference video, then maps it onto a still image of a different character. Everything about the movement comes from the video: the pose, the timing, the weight shifts, the small changes in expression. Everything about the look comes from the image: the face, the outfit, the art style. You end up with a clip of your character doing something they were never filmed doing.<\/p>\n
That split is what makes motion control different from ordinary animation. A standard image to video<\/a> model invents the movement from a text prompt. The result looks plausible, but it is never exact, and it changes every time you run it. Motion control takes the guesswork away, because the movement is already recorded. The model only has to re-perform it. You feel the difference most on choreography, on a specific gesture, on a particular walk, or on a hand sign that has to be right.<\/p>\n The feature works on realistic humans, stylized characters, anime figures and 3D renders. It also handles humanoid animals, plus animals built on roughly human proportions. Accuracy does drop as the body plan moves further from a human skeleton. For the cleanest results, film a real person for the reference clip.<\/p>\n Motion control sits in the AI Video Generator<\/a> and the AI Playground<\/a>. It is listed as its own model, not as a toggle buried inside another one. Kling powers both versions, one built on Kling V2.6<\/a> and one on Kling 3.0<\/a>. Both run on Picsart AI Credits, the same balance every other model uses.<\/p>\n \n 1.<\/span>\n Open the model chooser <\/p>\n Start in the AI Video Generator or the AI Playground. Motion control appears there as a category of its own.<\/p>\n \n 2.<\/span>\n Pick your motion control model <\/p>\n Two options show up. Kling Motion Control 2.6 transfers body movement from a reference video onto a portrait photo. Kling Motion Control V3 does the same job at V3 quality. The comparison further down covers which one suits which shot.<\/p>\n <\/div>\n <\/div>\n \n 3.<\/span>\n Add the character image <\/p>\n One image goes into the Reference slot. This is the character you want to see moving. Use a clean shot with nothing blocking the body or the head.<\/p>\n <\/div>\n <\/div>\n \n 4.<\/span>\n Add the motion video <\/p>\n One clip goes into the Video slot. This is the performance you want copied. Nothing else you do here matters as much, so the next section is entirely about getting this right.<\/p>\n <\/div>\n <\/div>\n \n 5.<\/span>\n Prompt the background, not the movement <\/p>\n The prompt cannot change the action, because the action comes from the video. Use it for everything around the character instead: the setting, the wardrobe, the lighting, anything else in the scene. Something like "Standing on a wet neon-lit street at night, in an oversized denim jacket, steam rising from a vent behind her" is what belongs here.<\/p>\n <\/div>\n <\/div>\n \n 6.<\/span>\n Set your rendering mode and generate <\/p>\n Kling V2.6 gives you two rendering modes. Standard produces fast HD drafts and Pro produces Full HD final output. Test your reference clips in Standard, then re-run the keeper in Pro.<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n\nHow to use AI motion control in Picsart<\/h2>\n \n
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\n Open the AI Video Generator<\/span>\n <\/button>\n <\/div>\n <\/div>\n <\/div>\n