Web pages.<\/strong> Point the model at a URL. Product pages, news pieces, papers and brand sites all count.<\/li>\n<\/ul>\nThe model reads that source and builds from it. So the deck you made turns into the film, and the live product page turns into the launch video. Nobody has to retype the facts into a prompt box first.<\/p>\n\n\n\n\nInput<\/th>\n Good for<\/th>\n What the prompt still adds<\/th>\n<\/tr>\n \nText only<\/td>\n Original scenes with no existing assets<\/td>\n Everything: frame, beats, pacing, lock<\/td>\n<\/tr>\n \nImage<\/td>\n Holding one subject or product identical<\/td>\n The action across the take<\/td>\n<\/tr>\n \nVideo<\/td>\n Matching a grade, a lens and a camera feel<\/td>\n A new subject and a new set of beats<\/td>\n<\/tr>\n \nAudio<\/td>\n Timing action to an existing track<\/td>\n The scene and where the energy lands<\/td>\n<\/tr>\n \nDocument<\/td>\n Turning a deck, sheet or slide set into a film<\/td>\n Which parts to use, and in what order<\/td>\n<\/tr>\n \nWeb page URL<\/td>\n Building from a page that already sells<\/td>\n The framing, the pacing and the lock<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\nThe four parts of a WAN 3.0 prompt<\/span><\/h2>\nA prompt for a 30-second take is a timeline, not a snapshot. Name one moment and the model has 29 seconds left to fill on its own. So every prompt in this guide follows the same four-part shape.<\/p>\n
The opening frame<\/h3>\n Name the subject, the setting and the light in the first line. The rest gets measured against this frame. So it wants hard nouns, not adjectives. “A matte black bottle on a wet slate ledge, dawn light from frame left” beats “a stylish product shot”.<\/p>\n
The beats<\/h3>\n List what happens, in order, with a rough time span against each one. Three beats across 30 seconds is a good rhythm. It also maps onto the way most spots work. WAN 3.0 is built to parse detailed, multi-part instructions, so the beat list does real work and never reads as padding.<\/p>\n
The pacing<\/h3>\n Say how fast the beats should land. A prompt that says “steady and unhurried” gets a different length back from one that says “brisk”. Naming the pace also gives the beat list a rhythm to sit against, so the timing never stays vague.<\/p>\n
The consistency lock<\/h3>\n Close by naming what must stay the same. Reference detail holds at pixel level across characters, objects, audio, scenes and styles. The lock tells the model which of those matter here. Product shape, a face, a colour and a light angle are the four most worth spelling out.<\/p>\n
WAN 3.0 prompts to copy<\/span><\/h2>\nThe 12 prompts below are grouped by what you feed the model. That one call shapes the rest. Swap in your own subject and keep the four parts intact.<\/p>\n
Prompts that start from text<\/h3>\n Text-only prompts carry the most weight, since nothing else anchors the output. Give the model a real frame, real beats and a real lock. That is enough to hold a full take.<\/p>\n\n Product spot, dawn light<\/h3>\n\n \n
30-second continuous take, no cuts. OPENING FRAME: a matte black insulated water bottle standing on a wet slate ledge, dawn light from frame left, mist drifting behind it. BEAT 1, zero to eight seconds: the camera pushes in slowly as condensation beads and runs down the bottle. NEXT BEAT, eight to eighteen seconds: a hand enters from frame right, lifts the bottle, and turns it so the brushed lid catches the light. FINAL BEAT, eighteen to thirty seconds: the camera pulls back to reveal the ledge overlooking a valley as the sun clears the ridge. PACING, steady and unhurried throughout. CONSISTENCY, ABSOLUTE: the bottle shape, finish and lid proportions stay identical in every frame; the light direction never jumps.<\/p>\n\n \n \n <\/polyline>\n <\/svg>\n Copied<\/span>\n <\/button>\n <\/div>\n\n <\/section>\n\nAn explainer with words on screen<\/h3>\n How-to clips are where on-screen text matters. Spell out every word you want, just as it should appear. Naming the text in loose terms will not get it there. On-screen text is one of the model’s stronger areas on dense, fact-heavy clips, so it is worth leaning on.<\/p>\n\n Chart explainer, exact labels<\/h3>\n\n \n
30-second continuous take. OPENING FRAME: a clean studio desk, soft top light, a tablet propped upright showing a simple bar chart. BEAT 1, zero to ten seconds: the camera drifts right as the words QUARTERLY REVENUE render across the top of the screen in a bold sans-serif. NEXT BEAT, ten to twenty seconds: three bars grow in sequence, each labelled Q1, Q2 and Q3, with the figures 1.2M, 1.8M and 2.4M appearing beside them. FINAL BEAT, twenty to thirty seconds: the camera settles as the line UP 40 PERCENT YEAR ON YEAR resolves beneath the chart. TEXT, EXACT: every label renders exactly as written here, legible and unwarped. PACING, calm and even.<\/p>\n\n \n \n <\/polyline>\n <\/svg>\n Copied<\/span>\n <\/button>\n <\/div>\n\n <\/section>\n\nA character scene with a turn in it<\/h3>\n Motion and feeling both got stronger in this version. So a turn in mood belongs in the beats. Name the moment the change lands, and name what sets it off. One take is long enough to carry a small arc, which a five-second clip never is.<\/p>\n\n Character scene, single unbroken shot<\/h3>\n\n \n
30-second continuous take, single unbroken shot. OPENING FRAME: a woman in a mustard raincoat stands at a tram stop at dusk, rain falling, shop signs glowing behind her. BEAT 1, zero to nine seconds: she checks her watch, then looks down the empty track, breath visible. NEXT BEAT, nine to nineteen seconds: a tram arrives and its headlights sweep across her face; she straightens and her expression shifts from impatience to relief. FINAL BEAT, nineteen to thirty seconds: she steps aboard and the camera holds on the closing door as the tram pulls away. CONSISTENCY, ABSOLUTE: face, hair, and the exact shade and cut of the raincoat stay identical from the first frame to the last. PACING, unhurried, with the emotional turn landing on the headlight sweep.<\/p>\n\n \n \n <\/polyline>\n <\/svg>\n Copied<\/span>\n <\/button>\n <\/div>\n\n <\/section>\n\nPrompts that start from a document<\/h3>\n Upload the file, then write a prompt that says which parts to use and in what order. The prompt stops carrying the facts and starts carrying the plan. Tell the model to pull the numbers straight from the source.<\/p>\n
\n Deck to explainer<\/h3>\n\n \n
Use the attached deck as the source. Build a 30-second continuous explainer that follows the deck in order. BEAT 1, zero to eight seconds: open on the deck’s headline claim rendered as clean on-screen type over a plain studio background. NEXT BEAT, eight to twenty seconds: move through the three supporting figures from the deck, one at a time, each rendered legibly beside a simple matching visual. FINAL BEAT, twenty to thirty seconds: close on the deck’s final call to action in the same type treatment. TEXT, EXACT: pull every number and label verbatim from the deck and invent nothing. PACING, steady, one idea at a time.<\/p>\n\n \n \n <\/polyline>\n <\/svg>\n Copied<\/span>\n <\/button>\n <\/div>\n\n <\/section>\n\n Spec sheet to product film<\/h3>\n\n \n
Use the attached product spec sheet as the source. Build a 30-second continuous product film. OPENING FRAME: the product alone on a seamless white cyclorama under soft studio light. BEAT 1, zero to ten seconds: a slow orbit around the product as its three headline specifications from the sheet appear one at a time as on-screen type. NEXT BEAT, ten to twenty-two seconds: the camera moves in on the single feature the sheet describes at greatest length. FINAL BEAT, twenty-two to thirty seconds: pull back to the full product with the model name rendered exactly as written on the sheet. CONSISTENCY, ABSOLUTE: proportions, colour and materials match the spec sheet in every frame.<\/p>\n\n \n \n <\/polyline>\n <\/svg>\n Copied<\/span>\n <\/button>\n <\/div>\n\n <\/section>\n<\/p>\nPrompts that start from a live web page<\/h3>\n Point the model at a URL and it reads the page as source. So the copy, the product shots and the claims are already there. The prompt only has to set the framing, the order and the lock.<\/p>\n
\n Product page URL to vertical spot<\/h3>\n\n \n
Use the linked product page as the source. Build a 30-second continuous social spot in vertical framing. BEAT 1, zero to nine seconds: open on the product in the setting the page shows it in, lit to match the page photography. NEXT BEAT, nine to twenty seconds: work through the two benefits the page leads with, each shown as an action rather than stated as text. FINAL BEAT, twenty to thirty seconds: close on the product with the page’s own headline rendered legibly across the lower third. CONSISTENCY, ABSOLUTE: colourway, packaging and logo placement match the page exactly. PACING, brisk and cut-free.<\/p>\n\n \n \n <\/polyline>\n <\/svg>\n Copied<\/span>\n <\/button>\n <\/div>\n\n <\/section>\n\n Article URL to summary video<\/h3>\n\n \n
Use the linked article as the source. Build a 30-second continuous summary video. BEAT 1, zero to ten seconds: open on the article’s central claim rendered as on-screen type over a relevant establishing scene. NEXT BEAT, ten to twenty-two seconds: illustrate the two pieces of evidence the article rests on, each as its own short visual beat. FINAL BEAT, twenty-two to thirty seconds: close on the article’s conclusion in one legible line. TEXT, EXACT: quote figures and names verbatim from the article. PACING, measured and documentary.<\/p>\n\n \n \n <\/polyline>\n <\/svg>\n Copied<\/span>\n <\/button>\n <\/div>\n\n <\/section>\n<\/p>\nPrompts that start from an image or a video<\/h3>\n Name the reference in the first line. Then say which of its traits the model has to protect. Pixel-level hold is what makes a reference worth using across a take this long.<\/p>\n