Three templates in Picsart Flow run Kling, and the interesting thing about them is not the prompt. It is what each one hands the model before the prompt is even read. One starts from a single photo. One starts from a character reference sheet. One starts from footage you already shot, plus a written script. That choice decides more about the finished clip than any adjective in the prompt box.<\/p>\n
Every generation node in Flow carries a row of settings above the run button, and on these three templates that row is the real workflow. It names the model, the mode, the aspect ratio, the clip length, whether audio is generated, and which quality tier runs.<\/p>\n
Read the three rows side by side and the pattern is hard to miss. The spectator template runs Frames mode at 5 seconds on the Pro tier with audio off. The kids song template runs 16:9 at 5 seconds with audio on. The hook template runs 9:16 at 15 seconds, also with audio on.<\/p>\n
The settings shift because the starting point shifts. A template handing Kling one still needs Frames mode and leaves the sound for later. A template built to sing needs audio generated in the clip itself.<\/p>\n
All three keep Multi-Shot off, so each node produces one continuous shot rather than a cut sequence.<\/p>\n
The three templates are three chain shapes, and the shape is more useful to learn than the template.<\/p>\n
Extend a single frame.<\/strong> One image goes in, one styled still comes out of an intermediate node, and the video nodes animate that still. The chain is linear and short.<\/p>\n Lock an identity, then fan out.<\/strong> A character reference sheet is generated first, then several video nodes run against that same sheet in parallel. The sheet is what lets separate generations agree on one character.<\/p>\n Fan out from footage.<\/strong> A clip you already shot feeds several video nodes at once, each carrying different written lines. Nothing is generated from scratch, so the work is comparison rather than creation.<\/p>\n